Course Schedule – Spring 2024 / Old Courses / MODERN OPERA

Coordinators: Steve Koenig, Frieda Lipp, Victor Brener

At each session, we view a different opera and engage in a lively discussion of the text, staging, medium and score.

Opera has developed along many paths and styles over the last two centuries. In each session, we will view an opera and discuss that opera’s libretto, staging, orchestration, singing, and historical context.

Composers might include Richard Strauss, Alban Berg, Benjamin Britten, Kurt Weill, Leoš Janácˇek, and some you’ve never heard of. We’ll include electronic, jazz, multi- media, and conceptual opera.

B WEEK / TUESDAY / 1:00 PM – 2:30 PM

Other Classes:

• JAZZ AT NOON
• WORLD OF THEATER
• THE SCARLET LETTER
• THE GREAT GATSBY
• TOCQUEVILLE’S DEMOCRACY IN AMERICA: A CLASSIC FOR OUR TIME
• MEXICO: SOUTH OF OUR BORDER
• HISTORY OF MEDICINE
• THEATER TALKBACK
• SOCIAL EVENTS
• FOOD: BEYOND JUST CALORIES
• TONI MORRISON: THE LEGEND
• INVISIBLE MAN BY RALPH ELLISON
• SIXTIES
• ELIZABETH GASKELL
• WEEK IN PARIS
• CREATIVE WORKSHOP
• EMILY DICKINSON CIRCLE
• SYMPOSIUM
• RUSSIAN GEOGRAPHY
• CONTEMPORARY BRITISH CULTURE
• AUSTRALIA – THE LAND DOWN UNDER
• HUCKLEBERRY FINN
• AGING
• FASCINATING ISLANDS
• BLACK WOMEN’S VOICES
• THE NOBEL PRIZES
• READING EDITH WHARTON
• WOMEN IN GREEK DRAMA
• THE NEAR EAST
• HISTORY OF GERMANY
• A PASSAGE TO INDIA
• INDIE FILMS
• SLAVERY’S ROLE IN U.S. CAPITALISTIST DEVELOPMENT
• RISE AND FALL OF THE BRITISH EMPIRE
• READING THE RABBIS
• RACE RELATIONS IN AMERICAN POLITICAL THOUGHT
• MYTHOLOGY
• LITERARY HEROINES
• HOWARDS END
• HOUSE OF MIRTH
• FABULOUS FIFTIES
• COMEDY CENTRAL
• READING BLACK LIVES
• BORDERS AND BOUNDARIES
• MOZART’S WOMEN
• ANTISEMITISM: PAST, PRESENT, FACTS, MYTHS
• AFRICAN CONTINENT
• PRESENTER’S SHOWCASE
• INVENTIONS THAT CHANGED THE WORLD
• ACTING CLASS
• LAW & ORDER
• POINT OF VIEW
• MOVERS & SHAKERS
• SOCRATES AND THE PROBLEM OF PHILOSOPHY
• GREAT CONVERSATIONS
• ORAL INTERPRETATION OF POETRY

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